2019: Complex UK’s Highlights From The World Of Music Journalism

From titles including TRENCH, CRACK, Pitchfork, The FADER and more.

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It's that time of year when music journos arm themselves to the teeth with their opinions and spend the best part of a month shouting down their colleagues and thrusting their assessments on to their readers.

Naturally, we cover stuff like best songs of the year and pick out a list of acts we think will conquer the year ahead, but we also thought it would be interesting to look back on the year in music journalism. As all good journalists should, we get our music news and info from many different sources. From TRENCH and Pitchfork to CRACK and The FADER, there's a lot of stuff out there that we may not get to cover ourselves—perhaps touching on topics outside of Complex's usual realm—and it's only right that we give it some props.

What was our favourite review? Which artist do we think gave the most interesting and enlightening interview? And, most importantly, which writer managed to spin a solid feature out of an uncomfortable semi-confrontation with an act who just didn't like their face? Well, Complex UK's music staff (and extended family) have answered these questions and more by each picking five of their favourite music features from 2019.

Tuck in below.

It's that time of year when music journos arm themselves to the teeth with their opinions and spend the best part of a month shouting down their colleagues and thrusting their assessments on to their readers.

Naturally, we cover stuff like best songs of the year and pick out a list of acts we think will conquer the year ahead, but we also thought it would be interesting to look back on the year in music journalism. As all good journalists should, we get our music news and info from many different sources. From TRENCH and Pitchfork to CRACK and The FADER, there's a lot of stuff out there that we may not get to cover ourselves—perhaps touching on topics outside of Complex's usual realm—and it's only right that we give it some props.

What was our favourite review? Which artist do we think gave the most interesting and enlightening interview? And, most importantly, which writer managed to spin a solid feature out of an uncomfortable semi-confrontation with an act who just didn't like their face? Well, Complex UK's music staff (and extended family) have answered these questions and more by each picking five of their favourite music features from 2019.

Tuck in below.

Joseph ‘JP’ Patterson, Senior Editor

Sunday Review: Aaliyah, Aaliyah

by Rawiya Kameir, Pitchfork

July 14, 2019

Cover Story: Kano - Time Will Tell

by Musa Okwonga, CRACK Magazine

Oct. 7, 2019

Klashnekoff's New Beginning...

by Jesse Bernard, TRENCH Magazine

Oct. 10, 2019

Kanye West Pledges His Life To A Higher Power On 'Jesus Is King' Album

by Adelle Platon, Billboard

Oct. 29, 2019

Brooklyn Bad Boyz: The Night I Was Shot

by Michael Gonzales, Crime Reads

Nov. 13, 2019

James Keith, Staff Writer

Octavian Flexes His Musical Prowess On New Mixtape 'Endorphins'

by Felicity Martin, DUMMY

June 13, 2019

West African Music Is Much More Than Just Afrobeats

by Aanu Adeoye, Noisey

July 22, 2019

DJ Shadow: Light In Dark

by Kitty Richardson, The Line Of Best Fit

Nov. 6, 2019

Jme Remains Grime's True Fighting Spirit

by Yemi Abiade, TRENCH Magazine

Nov. 18, 2019

Rival Dreamer: Burial's Tunes, 2011 To 2019

by Adam Lehrer, The Quietus

Dec. 5, 2019

Tobi Oke, Staff Writer

Why Fredo Calls It What It Is

by Samuel Adegunle, A Nation Of Billions

Jan. 31, 2019


Santi's Rebellion

by Toye Sokunbi, The NATIVE Mag

April 27, 2019


Young Thug, So Much Fun

by Jordan Darville, The FADER

Aug. 21, 2019

The Controversial Use Of Rap Lyrics As Evidence

by Briana Younger, The New Yorker

Sept. 20, 2019

'It's My Purpose To Shine A Light Where I Can.' How Rapper Stormzy Is Championing Black British Culture

by Reni Eddo-Lodge, TIME

Oct. 10, 2019

Chantelle Fiddy, Contributor

Don't Censor Drill Music, Listen To What It's Trying To Tell Us

by Ciaran Thapar, The Guardian

Feb. 6, 2019

The Rave Gap: How UK Nightlife Still Struggles With Ageism

by Kamila Rymajdo, VICE

Feb. 6, 2019

Dance Like Nobody's Paying? Spotify Isn't

by David Poe, Music Tech Policy

July 15, 2019

'I've Been Through Hell': J Balvin On Breakdowns, Escobar And Beyoncé

by Hattie Collins, The Guardian

July 27, 2019

Ask The Music Industry 2019 Edition: "If I Was An Emerging Artist And I Had £1,000 To Spend..."

by Simon Pursehouse (and co.), Sentric Music

Oct. 17, 2019

Jesse Bernard, Contributor

Cover Story: The Age Of Thee Stallion

by Lawrence Burney, The FADER

May 20, 2019

The Essential Guide To Dancehall

by Sharine Taylor, RBMA

July 10, 2019

Stabbing, Lies, And A Twisted Detective: Inside The Murder Trial Of Drakeo The Ruler

by Jeff Weiss, The FADER

July 11, 2019

Whose Master's Voice? Why Artists Need To Take Ownership In The Age Of Independence

by Will Pritchard, CRACK Magazine

Aug. 14, 2019

How J Hus Became The Voice Of Young Black Britain

by Aniefiok Ekpoudom, The Guardian

Nov. 26, 2019

Aniefiok Ekpoudom, Contributor

Cover Story: The Miseducation Of Slowthai

by Joe Zadah, CRACK Magazine

Feb. 7, 2019


Koffee: 'I'm Conscious But I Still Bruk Out'

by Kieran Yates, WePresent

April 11, 2019


UK Dancehall: An Oral History

by Jesse Bernard, Red Bull

June 11, 2019


How Brit-Born Africans, Caribbeans Are Coming Together In The Name Of Greatness

by Chanté Joseph, Complex

Sept. 2, 2019


Kano, Interviewed By Caleb Femi

by Caleb Femi, Another Man

​​​​​​​Nov. 15, 2019

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